Alaska Airlines never wanted the Airbus fleet that it inherited when it bought Virgin America. They did operate them for a long time and they did get repainted in Alaska colors but first the A319s were withdrawn and now the A320s are gone. The A321neos will follow before long but here is a sample of the A320s that are now consigned to history.
One weekend, I was at Boeing Field awaiting something interesting. There was the regular traffic of business jets and, since they were pretty standard fair and the light wasn’t great anyway, I figured I would play with dropping the shutter speed super low. The R3 is great for this because I can select a frame rate of 30fps if I want. When shooting with silly shutter speeds, really high frame rates increase the chance that I might get something that isn’t terrible. Technology overcomes lack of talent!
I was dropping down to 1/50th or 1/60th of a second for some of the arrivals. I was using a polarizer to take out a load of light to allow such low shutter speeds on a sunny afternoon. It also didn’t hurt to reduce the glare with the sun so strong. Most shots were worthless but there were a few that came out okay. Full size there were more acceptable ones but, since I was experimenting, I focused on the ones that were really sharp. Such low shutter speeds do result in parallax issues which is not ideal, so I tend to look for the sharpness to be on the front fuselage unless the plane is going well away from me. There were some 737s on test too, so I played with the same techniques for them as well. Maybe I shall go even lower at some point.
The repainting of the Salmon Thirty Salmon jet caught a lot of attention and was the subject of a previous post. The jet was not destined to be in standard Alaska Airliners colors, though. Instead, it went to be painted in a special livery that has a salmon connection. This time it is adopting a native theme to the painting. The name is Xáat Kwáani which means Salmon People. It was unveiled in an event in Anchorage and made a couple of flights within Alaska before coming home to Seattle. It arrived on a Friday evening so plenty of people were out after work to catch it landing. I’m sure I’ll see it again plenty of times but it was nice to get it on a lovely evening.
During our stay in Longparish, we could hear the sound of helicopters on a regular basis. We weren’t far from both RAF Odiham and Middle Wallop so getting military movements was to be expected. Getting a camera to hand when they came over was another thing. However, while on one walk, we did see a Royal Navy Merlin operating across the fields and behind some trees. Getting a clear look at it was very difficult and, as we got closer to where it was on our walk, it naturally moved off somewhere else. I never got a good shot. Here is the best I could manage as they taunted me by remaining just out of reach.
The Alaska Airlines fleet is undergoing a transformation. Part of that was the removal of the Q400 from Horizon’s fleet with the Embraers becoming their only platform. Suddenly getting shots of the aircraft seemed a lot more interesting. I did manage to get the retro livery special one more time as it took off one evening. As it headed into the sunset, it seemed far too on the nose for their retirement. A few weeks later, they were gone.
A jump back to the visit of Sentimental Journey last year. Because she was here for a while, I was able to shoot from a variety of locations to try and get some different shots of her. The weather played ball while she was in Seattle unlike the conditions at Arlington the following week. It was fun to try some different angles on the same plane since I had got the initial shots I wanted.
The movement of the ex-LATAM Airbus A350s that Delta has picked up on their way to Singapore via Seattle got me out once before. The jet was arriving after dark but I gave it a go anyway. The next one to make the move from California to Singapore came through at a more convenient time for me being both daylight and also when I wasn’t at work! The weather was not perfect but the sun did pop out which made for some reasonable lighting and it was a chance to catch a jet in LATAM colors which I probably won’t get very often.
Breeze is an airline that was recently formed by the guy that started up JetBlue. It has an initial east coast focus but is supposed to gradually expand west. We do not have scheduled service yet but they seem to also undertake charter operations. When the airline was announced, it was supposed to use Airbus A220s. I guess the pandemic made aircraft availability better and they picked up a bunch of Embraer E190s. The A220s have started to come online but the Embraers are currently the big part of the fleet.
One of them was making a trip to Boeing Field. Not sure why it was coming but I figured this was worth a look. I tracked the jet as it lined up for the approach but I hadn’t heard it call in. At some point, I heard the tower call to ask if they were on frequency and no response. At this point, it was pretty close in. I guess, without a clearance, they decided to go around. They climbed out over the field. A side effect of this was to cause a Delta 737 that was on approach to SEA to have to also go missed as the Embraer was conflicting with its flight path. I suspect they were a touch annoyed.
The Embraer then was vectored around for a second approach. On this one, everything seemed to be a lot more normal. I heard them call up a decent distance out and they were cleared to land which they did without incident. The sky blue livery is quite catching and I would like to see one of the A220s at some point soon. I wonder whether we will get service out here at some point?
One of the software tools that I find a lot of people talking about these days is DeNoise from Topaz. I have never been terribly bothered by noise in my images. Modern cameras do a pretty remarkable job of handling noise and, for most usage purposes, the noise is not really an issue if it is there. I have posted my efforts with PureRAW in its various forms where I have tried it out to see how the noise reduction comes out and, while I have seen strengths and weaknesses in it, I have never seen it as something I needed to spend on.
Lightroom Classic had one of its periodic updates recently. The big new feature was their own denoise functionality. Much like my experimentation with PureRAW, it analyzes the shot and creates a new DNG file with the noise suppressed. I was curious to see how it would perform and, seeing as it is included in the price of my subscription, I have it anyway. I decided to take some shots I had recently used for the PureRAW3 trial I had done and compare with the Lightroom version.
It defaulted to a 50 level of noise reduction. I don’t know whether this is a percentage and what of but it is a scale so I played with it. I did some at 50 and some at 75 to see whether more aggressive noise reduction had detrimental effects on other parts of the image. Comparing these things and then sharing the results is a touch tricky so I have created a single image from four layers. They are the original Lightroom develop settings, the PureRAW3 version, the 75 denoise settings and the 50 denoise settings. I mask them to make the image into four sections. Then, to make it useful on here, I have zoomed in to show the borders between them to provide some sort of comparison.
The PureRAW3 result is very aggressive on noise reduction. However, I find it can make some odd artifacts in the images where details were not that clear to begin with. The 75 setting in Lightroom provided a very similar level of noise reduction to PureRAW3. It is slightly noisier but barely enough to matter. A setting of 50 does show more noise. It is still a significant improvement over the basic Camera Raw settings and very usable.
What do I conclude from all of this? First, as I have said before when testing the PureRAW trials, it provides some interesting results but it is not relevant to enough of my work to matter to me sufficient for me to spend a bunch of money on buying it. Having denoise in Lightroom now provides me with a very similar option but within the existing price I am paying for Lightroom. Therefore, I will make use of it when the situation dictates. It would be a regular part of my workflow because really high ISO shots are only an occasional thing for me but having it there when I want it will be handy.
We were in the Cotswolds for a wedding earlier this year and the morning of the wedding found my with little to do while everyone was getting ready. I was only 30 minutes or so from the old RAF airfield of Kemble, now Cotswolds Airport. Surely it would be churlish to not take a look since I was killing time? Kemble has quite a lot of interest and will mean there are several posts to come. The first will focus on one of the largest residents.
British Airways painted three of its 747s in retro liveries. The jets had different interior configurations which meant they were used on specific routes. I got to shoot the BOAC jet and the Landor jet when they came to Seattle but I never saw the Negus jet. When BA retired the 747 fleet during the pandemic, the Negus jet apparently made its way to Kemble to become a venue rather than get reduced to parts and scrap metal. However, I didn’t know this.
Consequently, I was rather surprised to find the jet sitting there as I drove up to the airport main buildings. There are other 747s stored on the field at Kemble but this one is very accessible. It was early in the day when I arrived so I could wander around unfettered but there were already crews showing up to bring in fixtures for an event that they were going to be hosting. Renting out a 747 for an event sound like just the sort of thing I would do! I was very pleasantly surprised to see the third of the retro jets and to see it in such good condition. (Sure, they have a few nacelle panels that have been switched around but it still seems in good shape.)
