Tag Archives: technique

One More of the Scotsman

I had spent a bit of time preparing to photograph the Flying Scotsman on a Saturday morning at the Watercress Line. Once done, I had gone home and picked up Nancy so we could head to an appointment that we had in Itchen Abbas. When we finished there, the plane was to head to Alresford for some other stuff. This was going to take us by the bridge in Bishop’s Sutton that goes over the track. I thought it was about the time that another of the Scotsman’s planned runs should take place. Consequently, we drove by that way.

There were plenty of people on the bridge when we got there so I parked and asked if it was due. Someone said five minutes, so I grabbed the cameras from the car. As I did so, I saw people lifting cameras to their eyes so zipped back. The train was already climbing the hill out of Alresford. The longer shots were not great because the heat haze was already showing itself, but they were okay. As it came up the cutting, it was making plenty of power. Then it was gone. We were back in the car and off to our destination and it had barely taken five minutes out of our day!

A Second Attempt – With Better Planning

In a recent post, I told the story of my less than successful efforts to photograph the Flying Scotsman at the Watercress Line. In that entry, I mentioned how much public attention the loco gets. Given the number of large steam locomotives that there are in the country, it is interesting just how much more this one attracts visitors. If it helps the railways get some additional revenue, it is surely a good thing. Seeing as I had messed up getting photos on that occasion, I decided to try again the following weekend. The weather forecast was far nicer. Moreover, I spent a load of time thinking about what I would do. Even then, as I headed out in the morning, I had a couple of options with the things I was bringing.

I took two cameras with me and the Insta360 as well. I also had a clamp mount which I hadn’t decided whether I would use for the Insta360 of the second camera. I figured I would decide when I got there. Since the weather was nice and the Scotsman is popular, I worried that it might be pretty busy. There are limited parking spaces on the lane near the crossing I was going to, so I headed out in plenty of time. Of course, when I arrived, there was no one else around. Plenty of time to now kill!

I walked up to the crossing and found it empty. This gave me loads of time to decide on what to do. I had brought some PocketWizards with me. If I was going to use the second camera, these would be used to trigger that body.

As I unwrapped the PocketWizards, I realised that the Velcro cover I used for them would also make a nice wrap for the Insta360 handle. I attached it to the fence and wrapped the handle to the fence posts, and it provided a nice secure fit which meant I know had the clamp mount available. The Insta360 is controllable from my phone, so I was able to leave it fully extended and just activate it from the app when ready. I did a test with it when it stopped recording after 20 seconds. I have no idea why it did that so tried a couple of further recordings which all worked fine so I decided that was good to go.

While the PocketWizards can be used to trigger the second body when the first is firing, I didn’t actually want that. The two bodies were set up for different shooting scenarios – the long lens would cover the approach of the train but, during that time, it would be so far away that there would be no benefit to shooting with the wide-angle lens. Similarly, once it was close enough for the wide angle, the long lens would already be too much so I would have stopped shooting with it. Consequently, I handheld the PocketWizard and triggered it by hand when required.

I clamped the mount to the bottom of the fence with the camera at ground level looking up at the approaching train. I normally use back button focus but I don’t think that would activate via the PocketWizard, so I switched it to front button for focus and exposure. The joy of a flexible screen is that you can frame up the shot without having to be a contortionist which is good news for those of us with a few years under our belts. With everything set up, I set off a few test shots to see if everything was working. It all seemed good so now it was time to wait.

I was expecting one or two movements before the Scotsman which would give me a chance to test things out. There is a shuttle that is used to take people from Ropley to Alresford for the main event so I figured that would come through. It would be going the wrong way but would allow some practice. However, there was more than I expected. The first thing to appear was a steam loco running light in reverse from Ropley. Turned out that it was the Scotsman heading from Ropley to Alresford to join the train. That was a nice option but, of course, it had no coaches and, since it was running downhill, it wasn’t making much power. The shuttle also ran back, and forth which gave me some practice while another train rain down to Alresford for a service that would come after the Scotsman had departed for its first run.

All of this provided me with time to play around with the set up and make sure all was working the way I wanted. Then it was time for the reason for being there. The train departed Alresford pretty much on time. Since it is quite a climb up to Ropley, the loco was making lots of power and there was a banking engine on the rear too. The smoke could be seen through the gap in the trees, so we knew it was coming. Eventually it came around the corner in the cutting, and we could get some shots.

I started the Insta360 first and then proceeded to get some longer shots as it approached. As it got closer, I dropped down and photographed through the fence to look up at the loco as it came closer. Then I switched to the PocketWizard and took a bunch of it as it passed. I have no control on where the camera chooses to focus in that situation, but I was rather happy with the results. I even got some interesting shots of the driver and one of the passengers leaning out of the window. Then I took a few shots of the train as it retreated. That was very backlit, but it still made for an interesting view. And then it was done! All of that prep for a brief moment.

The people rapidly scattered and I started disassembling the things I had put in place. I had brought a small stool with me but that had never been used. Too much messing with gear or chatting to the others that had come alone. It was a very friendly atmosphere and made you feel good about being out on a sunny Saturday morning. I retraced my steps to the car. As I walked along the lane, I heard another whistle and pulled up the camera I had on a strap around my shoulder. The train that had run down to Alresford earlier was now making its run. It was skylined on the ridge above me and I just happened to be by a gap in the hedge so was able to grab a few remaining shots. Then it was time to head home.

Messing Up Photos of the Scotsman

The Watercress Line had arranged for the Flying Scotsman to make a visit to the railway. This locomotive seems to really capture the attention of the public, so it was a major event for them. They even lengthened the platform at Alresford to allow longer trains to be formed meaning more passengers could be carried. They were running on two consecutive weekends, and my sister was interested in seeing it. I was always going to be game for a photo trip. She could only do one weekend of the two and I only had one day free that weekend so that was going to be the one.

Sadly, the weather wasn’t being very cooperative. It was very overcast and there was a decent chance of rain. Even so, there were plenty of people out at the crossing we were going to when we got there. Plenty of space for everyone but definitely popular. As the time for the loco approached, I changed a setting on the camera for a higher frame rate and got in position. I decided to take a couple of quick shots before it came in to view just to check all was well. It wasn’t!

As soon as I hit the shutter button, the screen was covered in a “Busy” message. This caught me out. It wouldn’t go away quickly. I turned the camera off, but it still took a while. When it came back on, I tried again and the same thing. This time I pulled the battery and reset. Third time the result was the same. By now the loco was coming into view. Since I didn’t know what the issue was and time was ticking, I tried switching over to video and that worked so I instead videoed the train as it came by.

The video was fine but not great and, if I had planned for that, I would have done things slightly differently. However, it did recover the situation to some extent. The video I took is below.

Once the train had gone, I went home and then pulled out the camera to see what had occurred. I had made a very dumb error. It would have been easily fixed too. When changing the frame rate, I had accidentally switched to the HC mode on the R3. This is the mode that allows 194fps in short bursts of up to 50 frames. Once you shoot like this, it locks up the buffer until everything has been written to the card. Then it is ready to shoot again. What a dope. Oh well, it wasn’t a total disaster and my sister got to see the train which was the main point of being there in the first place. However, now I was thinking about a second effort. More to come…

Snowdrops at Longstock

I am going to be repetitive on the blog for a while. I have already photographed some snowdrops on my bike rides and posted about it. Then I made a more specific visit to see some snowdrops. This will not be the last snowdrop post this year either. In Longstock, there is the Leckford Farm Shop run by Waitrose. Last year I saw lots of bluebells in the grounds when we visited. Dad told me it is a good place for snowdrops too, so Nancy and I diverted in there as part of a walk we were doing in the area.

At first, I only saw a few small clumps on flowers along the path. It had me wondering whether we had missed the peak. However, I just needed some patience. As we got closer to the shop, the area under the trees was covered in snowdrops. They looked really great. With snowdrops, if you are close, they appear to be quite well spaced. Taking shots from further back and lower down helps make them look really dense. They feel that way when you look at them but getting the photo to reflect that sense is a bit more of an effort.

Revisiting Boneyard Tour Shots With Reflection Removal

I have been a bit critical of the reflection removal tool in Lightroom but, while it seems to have become less effective on some shots, it still can do the job on others. This got me thinking back to my visit to Davis Monthan AFB’s storage facilities in the days when the Pima Museum was still able to operate a bus tour of the rows of stored aircraft.

I tried my best to get clear shots through the windows of the bus and often did okay. However, when something of interest was on the opposite side, I was taking a lot more chances when trying to get a shot without any reflections in it. A friend of mine, Karl, regularly posts images from the day and month many years before and he recently had some DM shots, and this was what triggered this idea. I worked my way through some of the original shots that I wouldn’t have previously used because of the reflections. I managed to rework some of them to make something far more usable.

Thinking Back to LAX and Old Favourites

I’m not sure what it was that got me to these pictures. I was working on something other project and then found myself looking at some shots from a visit to LAX a long time ago. Two planes jumped out at me from that day. One was a Lufthansa A340-300 and the other was a British Airways 747-400. Both were taking off later in the day and the light was very nice. I decided both deserved a re-edit.

The backgrounds for both jets were a little busy and so I decided to try something similar to my processing for airborne shots but that I hadn’t done much on the ground. I used the smart masking tools to select the aircraft. Then I inverted the mask to select the background. This allowed me to take the lighting down for the background and also make things a little cooler with the white balance. Then I could warm up the plane a little more and brighten it up. This helps to separate the aircraft from the background and make it more the focus of the shots.

The BA fleet of 747s are long gone now and passenger 747s are definitely a rarity. The Lufthansa A340s are still operating but only because of the delays to new aircraft deliveries. It won’t be too long before they are heading to the desert. This will be a nice reminder of the fun stuff I used to be able to photograph.

Flame Details in the Bonfire

Bonfire night celebrations in Winchester included a big fire and fireworks demonstration in Wall Park. The bonfire was started in dramatic (i.e. fake) fashion with two cannons firing towards it and it igniting. It was quite a spectacle although clearly a bit contrived. The whole thing is contrived of course. As the fire got established, I found myself entranced by the flames. Watching fire is like watching the waves. Every one is slightly different and I can spend a ridiculous amount of time just staring at it.

Getting images that actually reflect what I saw is something I haven’t practised so I was winging it a bit. The brightness of the most intense parts of the flames is so much more than the cooler areas that it is hard to reflect the detail that can be seen without blowing everything out. I went with underexposing to try and show more of what was interesting to me. Then I would look up at the hot particles above the fire as they rose and dispersed. They looked beautiful as they swirled around and cooled.

Reworking an Old Shot with Modern Denoise

Periodically, when thinking about the latest processing tools that I have available, it takes me back to some older shots that would be interesting to rework. This shot of one of the Blue Angels jets was taken at NAS Oceana during one of their air shows. I was shooting with the 1D Mk IIN and at ISO 800. At the time, this was a really high ISO and resulted in a lot of noise in the images. (As an aside, I did find that printing did not show the noise at anything like the level that was apparent on screen.) Even without the denoise function, the latest raw convertor makes a decent job of the file but I figured I would use the denoise too. I think the file comes out really cleanly as a result. It also helps that, as an 8MP file, the processing is a lot quicker!

The Reflection Removal Tool Seems to Have Broken

When Adobe introduced the reflection removal tool, I was really impressed by its capabilities. I played with a number of shots that I had taken through windows, and they worked out really well. There have been some updates that Adobe has made, and it feels like it isn’t working as well as it should. I was at Glasgow Airport waiting for a flight home and an Emirates A380 was taxiing out so I grabbed a few shots through the glass. There was a really obvious reflection in the sky area of the shot. I figured that the tool would knock it out easily. Instead, it didn’t even recognise it was there. That is the first of these images. I tried a couple of different shots and none of them worked. I wonder what they have done to the tool that has made it struggle here. I ended up making manual selections and using the AI remove tool to try instead. It was okay but not a great result.

Processing With Masks – A Video

Every once in a while, I post about some change I have made to my processing techniques for my images. I have posted in the past about how I have been using the masking tools in Lightroom to work on images – particularly those with poor lighting conditions where the background and the subject need significantly different edits.

I have recently tweaked my approach to improve it. This involves an extra step to try and get a better selection of the subject and the background. This also addresses some of the issues I find with Lightroom’s selection algorithms. Sometimes it picks things that just don’t make sense. Anyway, I did a full process of an image and recorded the whole thing with my explanation as to why I was doing what I was doing. It is not a short video so only for those with a serious interest. However, if you want to check it out, here it is.