Tag Archives: civil

Virgin America Before Alaska Took Over

I just happened to come across this shot while looking for something else. It was a Virgin America A320. Virgin America did a reasonable job of building a profile on the west coast before they were swallowed up by Alaska. Initially their fleet was added to Alaska’s, but it wasn’t too long before Alaska disposed of the Airbus planes to focus on their Boeing fleet. They were good looking jets, and I flew inside one once after the merger where the interior finish certainly marked them as a bit different to the norm. I just figured I’d share this shot as a memory of something long gone.

Didn’t Expect an Airvan

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I was down at Lee on Solent on a Saturday morning for a hovercraft encounter. It was a glorious day with lovely sunny conditions and not too much wind. The air temps were not high, but the sun made it feel great. I was pondering whether there could be anything interesting happening at the nearby Solent Airport but that wasn’t why I was there and I knew I had a visitor at home, so I wasn’t going to spend any more time self-indulgently than was already the plan.

There was regular traffic departing from the airport, but I wasn’t paying it much attention since the straight climb outs were some distance from me. Then I saw one turning in my direction. It was a GippsAero Airvan. I didn’t have the right settings on the camera so fumbled inelegantly to try and get things close to right and grabbed a few shots of it as it flew by. Looking at the shots later, it has markings associated with a Spitfire operator which will connect with a post to come.

Early Morning Arrivals

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A work trip had me at Heathrow just as the sun was peaking above the horizon. It was very low and, as I drove along the perimeter road to the car park, it was right in my eyes. I suspect that wasn’t too much fun for the arrivals that were on the runway aligned to the east. It did mean that the light was right on the nose of the arriving planes. I had brought the camera along because – well when don’t I?

The traffic in had been quite light so I was a touch early arriving and had about ten minutes before I needed to head into the terminal. Consequently, I got a few shots of some of the jets arriving from locations around the world. The light was almost on my side of the planes which, given I was to the north, tells me that we are getting towards summer. Here are a few of the arriving planes.

Set Up Publicity Photos for Helinet

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Having done the ride along with Alan Purwin of Helinet during the filming of Transformers, Alan was interested in getting some publicity shots of the helicopter to use for their own marketing material. He asked if I would be interested in doing the shots and I was more than up for it. What I wanted was to have a high enough vantage point from which to shoot. You want to be looking across or down on the helicopter to get some real context to the work.

Additionally, Alan wanted the helicopter to be mounted with a different camera mount. He owned a company in New Zealand called Shotover. This was the mount that he wanted on the helicopter for the shots instead of the larger ball mount that had been used during the Transformers filming. I discussed with him where to get an elevated location from which to shoot. He had been staying at the Trump Tower for all of the filming and had developed a good relationship with one of the managers there so got me access to use one of their outside deck areas. This proved to be an ideal spot.

We had a series of runs with the helicopter coming up the Chicago River towards me, pulling up in front of me, hovering close by and making diving runs from the River North area across in front of me to be over the Chicago River. I had a radio so I could call in the next sequence or have them run it again. The weather had become a lot nicer than it had been when I was riding along and so I was really happy with the results. So was Alan and they soon were on the marketing materials for Helinet. No doubt they now have new material, but it was used for a while. Sadly, Alan dies in a plane crash during the filming of a movie in Central America. He was a passenger in a plane that crashed on take-off. He was a super nice guy, and I am sure remains sadly missed.

Gear and Flaps

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Photographing at Heathrow means you get a steady stream of planes with barely a minute passing without another one landing. You can end up with a ton of similar shots. That got me thinking about other things I would like. A close up of the undercarriage and perhaps the flap system came to mind. For some reason – possibly the noise that the bursting vortices made after they landed – I decided that the 777-300ERs would be the ones I tried these shots with. However, an A380 did sneak in.

There is something about the mass of machinery that you get around the main landing gear and the inboard flaps that seems so complex. Of course, this is all under the wing so the lighting is less than ideal, but you get what you can. Just before sunset would be perfect but you don’t get to choose when the jets land. Here are a few of my favourite shots from that part of the afternoon shoot.

A Trip Over Chicago in the Cameraship

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In a previous post, I shared some images of the Helinet Squirrel that was used for aerial filming of the Transformers movie franchise in Chicago. When I had been in touch with Alan Purwin about some photos I had got of them in action, he invited me to come along during one of the filming sessions. They were operating from a location in the south of the city – an unusual circumstance because, in those days, Chicago did not normally allow helicopters to land in the city. However, we met up at Midway Airport before heading to the filming location.

Alan was flying whilst David Nowell, the cinematographer was in the left seat controlling the camera installation. They had worked together many times and had a very slick relationship in the air. A producer was next to me in the rear seats. We left Midway and headed into Chicago where we flew around the city a little before landing on the south side. The film crews have clearance to operate at low level and in between the buildings. It is quite a stunning place to be as you slide between the skyscrapers.

The challenge for the team was to visualise what the scene would be. We headed towards the Sears Tower over which an alien spaceship was supposed to be. We were filming the sequences over which the CGI would insert the various elements. These sequences had to be run several times, and each had to be exactly the same so the material could be combined seamlessly. Watching all of this happen whilst seeing the buildings all around you was something else.

I would love to have spent more time with them on the project. I was not part of the regular crew so I couldn’t outstay my invitation but to see all of this in practice when having seen plenty of it from the window of our apartment over the years was something else.

Aer Lingus Regional ATR on the Ramp

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I have made a few trips through Southampton Airport recently. On one of these, I arrived back there in the evening. There are no jet bridges at Southampton. You come down the steps, walk across part of the ramp and in a door to the baggage reclaim. This takes you past whatever other planes are parked up. An Aer Lingus ATR was on the ramp with the lights making it look rather cool. I grabbed some quick shots with the phone before any of the staff could complain about me dawdling!

Filming With a Squirrel

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When we lived in Chicago, it was a regular thing to see filming underway for either movies or TV shows. One morning, as I walked to work, I was bemused by someone running alongside a bus banging on the side when clearly another would be along in a minute. Then I realised it wasn’t a CTA bus and there were cameras filming the whole thing. The bigger productions would often involve aerial camera work.

I actually did a number of pieces on this for GAR over time. There was a local operator that would do some filming work with a Twin Squirrel. However, some of the larger film productions had their preferred operators. Michael Bay would use Helinet out of California. This business was run by Alan Purwin, and we ended up spending some time together. During a previous Transformers filming session, I had got some photos of the cameraship and had shared them with him. The plan had been to meet up but an accident occurred on the set and the filming was curtailed.

When another Transformers move came to town, we did get in touch. I will have a few more posts to come that cover this time. For the first post, I am including some images of the helicopter in action filming various sequences around the city. The camera was mounted in a large, stabilised turret on the front of the fuselage while a ballast weight was mounted under the rear to keep the CG within limits. That turret would change later as will be seen in another post.

More Airliner Crossing Shots

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While up near Heathrow, while I was mainly bothered about the arriving airliners, there were a lot of high-altitude aircraft criss-crossing the skies. Every once in a while, their paths would look like they would converge. Obviously, they were at different altitudes so nothing that special, but I did find myself tracking them to see if I could get something like a crossing shot.

It wasn’t to be. A few got pretty close but never was I to get the really cool shot of a crossing. Never mind. Here are a few of the ones that got closer during the day.

This Paint Job Would Have Been Quick

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This Brussels Airlines A320 came into Heathrow one weekend. I am not sure even now what the livery is supposed to represent. All I know is that I love it and am delighted that they went to the effort to paint the jet like this. I am assuming there are a ton of vinyls involved in this rather than having it all hand painted but, either way, it looks amazing. If it was painted, that is even better. What a great change from the average livery.