Tag Archives: display team

Reworking an Old Shot with Modern Denoise

Periodically, when thinking about the latest processing tools that I have available, it takes me back to some older shots that would be interesting to rework. This shot of one of the Blue Angels jets was taken at NAS Oceana during one of their air shows. I was shooting with the 1D Mk IIN and at ISO 800. At the time, this was a really high ISO and resulted in a lot of noise in the images. (As an aside, I did find that printing did not show the noise at anything like the level that was apparent on screen.) Even without the denoise function, the latest raw convertor makes a decent job of the file but I figured I would use the denoise too. I think the file comes out really cleanly as a result. It also helps that, as an 8MP file, the processing is a lot quicker!

More Super High Frame Rates for the Red’s Syncro Pair

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A bit of a theme for me recently has been playing with the super fast frame rates on my camera. Last year I tried this out with the Blue Angels and posted on here about that. It worked well but they were rather distant. At RIAT, I decided to try again but with the Red Arrows this time. The syncro pair will make many crosses during the course of the show so I had a few opportunities.

First, let’s talk about what didn’t go so well. When you select this mode, it will fire off a bunch of shots – I set it to the maximum at 50 – and, when it has taken them, the camera will be effectively locked up until they finish writing. It doesn’t take long, and it shouldn’t matter because not much is happening for a while. However, if you are a dope and forget you have selected it and then take a shot of a plane coming around the turn towards you, you will get a lot of shots you didn’t intend and you may still be writing them when the cross actually happens. I am speculating, of course. No way I would make such a mistake.

The other issue I had was one of choosing focal length. On some crosses I zoomed out quite wide and the jets ended up being further away than expected and quite small in the frame although it gave me multiple framing options. This had been an over correction after having been too tight on a previous cross. Basic stuff but, at least with a bunch of crosses, I had more chances to sort things out.

Then we come to the crux of it. Did I get stuff I liked? Absolutely. I was always tracking the plane coming from the right so my left eye could see enough of the opposite jet, so I did run the risk of having the background jet in focus, but it all worked out fine. The biggest issue is that you end up with a ton of shots to work through. Then again, that is my story of RIAT as a whole! I have included so of the stills here but also an animated GIF of a sequence so you can see how close the frames are to each other. Please forgive the crappy colour space of the GIF.

Return of the Reds

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One of my days at RIAT was spent down towards the threshold of the runway. This meant I was able to get shots of the approaching planes and, hopefully, their touchdown. I say hopefully because a couple of things were working against me. First, there were some distance to go boards that could be in just the wrong spot depending on where the plane touched down. Second, because I was close in and there was a lot of distracting stuff in the background, I was going with a lower shutter speed to give the sense of motion and blur out some of the distractions.

I didn’t have a high success rate with some of these shots which was expected. When going through them, I can be pretty aggressive at culling anything that is not super sharp (at least on a part of the airframe that will be the first point of interest for a viewer) but I do have to bear in mind that I am looking at a high resolution version of the image zoomed in to 100%. When it is a 1600 pixel image on a screen, it will forgive a lot of the detail problems.

Anyway, I got some shots of the jets on approach and then as they touched down. Some of them came out pretty well. I did also use the location for take off shots where, since the planes were just beginning their take off rolls, they weren’t going that fast and getting the blur required was a bit trickier. Some of those will, at some point, show up on here too.

The Blues on the Ground at BFI

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Another run back to Seafair from 2024. While I did get some good opportunities to photograph the team in the air, I also got to get a close up look at them while they were taxiing around at Boeing Field. The formation taxiing of display teams might not get much attention, but it is requiring a fair bit of concentration from the crews. Here is a combination of shots from different times during the course of the show weekend.

Fat Albert Takeoff and Video of Return

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When I was up the tower at Boeing Field for Seafair last year, I got to play around a bit with what I shot of the Blue Angels C-130, Fat Albert. The takeoff was a straightforward as it was departing in our direction so photographing it as it left the ramp and then rotated and climbed past was the obvious choice for me. However, when it came to the return to landing, I was wondering what to do.

The threshold is a long way from the tower, so any shots of the landing were going to be quite distant and, given the heat haze, unlikely to be that good. I figured I might try video and, with the 200-800 having such good stabilisation, thought this might be practical. It turned out surprisingly well with the original video being pretty stable. I did apply a little extra stabilisation in Resolve afterwards. The worst elements are down to operator error where I had a few moments where I ended up moving the camera very jerkily and there is nothing that the post-production can do to fully disguise that! Shame I didn’t plan ahead enough and avoid having that happen when near the flare!

My Luck with the Snowbirds Continues to Go Downhill

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Last year, when I went to the Abbotsford Air Show, the Snowbirds were displaying with eight jets instead of nine. There had been an issue with one of the crew and they were completing the season down a jet. When I headed to Comox this year for the show, I was hoping to get a full display from the Snowbirds. That was not going to be the case. On arrival, my friend Mark advised me that one of the pilots had injured an arm in a non-aviation related accident. Oh well, I thought.

Then, when they started up for the display, one of the jets wouldn’t play ball. I thought they might run to a spare jet but, no, we were down another jet. This meant we would only have seven jets for the display. Surprisingly, this didn’t cause as many issues in my shots as I thought it might. The four ship cross was gone which was disappointing but, when shooting tightly on the formations, things actually seemed to look okay. In fact, sometimes it stopped me having to worry about getting the whole formation in shot since they had “cropped” for me.

It was a pretty good display and I enjoyed watching it. Here is a selection of shots from the day.

Thunderbirds Show Up (As Does Their Support)

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While Mark and I were in Arizona, we heard about the potential of Harriers being at El Centro. We decided an additional leg to our trip was worth it and headed for California. As we came up to the base after a few hours of driving, we saw something rather unanticipated over the airfield. The USAF demonstration team, The Thunderbirds, were flying around over the field. It turns out that they had gone to El Centro to spend some time working with the Blue Angels that were still there for winter training.

This had us worried. If the teams were going to be flying, that would stop the other base operations, and our trip would have been futile. Fortunately, they landed and were going to spend the afternoon on the ground talking about whatever demonstration teams talk about. Operations would continue. We did get one flight with a Thunderbirds call sign, though. The C-17 that had come to support them headed off. It had a Thunderbird call sign and did try a sporty take off and climb out. I’m not sure whether everyone was really buying it though.

A Little RIAT Reds Editing

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Why, when my last visit to RIAT was in 2019, am I still working my way through some shots from that show? There are many potential reasons but none of them reflect too well on me so we shall move past that topic and on to what I shot at that show. Specifically, let’s look at the Red Arrows. When we used to live in the UK, we would see the Reds on a regular basis and would sometimes get a bit blasé about them. When you live elsewhere, they become a bit more fun to see.

Consequently, I did make the effort to get a few good shots of their displays. It would have been nice to have some slightly better light to shoot them in, but that show was not the best for weather. Take off is always nice since you are close to the formations, and they are potentially tightly grouped in the frame. There are always the crossing shots to go for and then the bigger formation breaks will be a target. All of these were part of my efforts that year. When I was young, the rollbacks were a favorite of mine. They do a variation on this now, but I am not quite so keen. It is a tough one to shoot anyway since you really want to be on the display axis to get the best effect. Even so, I was still pretty happy with what I got overall.

Parachute Smoke Trail Patterns

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The Canadian Forces SkyHawks parachute display team opened the Abbotsford Air Show evening display. One of the jumpers had a line of smoke canisters that hung beneath them as they descended under their canopy. Some tight turns allowed the line to swing out and create some nice smoke trail patterns. Here are some shots of the results.

Shocks On The Sneak Pass

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One of the highlights of the Blue Angels’ display is the sneak passes. The display is good but the sneak pass gets the jets as fast as you are going to get in their routine and there is a chance of vapor cones forming around the shocks and expansion fans. A display over water enhances the chance of the vapor. The distance of the display line on Lake Washington was a little disappointing as the jets were quite far away but the advantage of this location was that Mercer Island provided a backdrop.

The benefit of this backdrop was that, the rapid changes in density of the air in the shocks and expansions makes the refractive index change and this will distort the view of the background. With a clear sky, this is usually not visible but, with a background, you can see the shocks around the airframe. This is a rare opportunity. Fortunately, while there was little vapor, there were plenty of shocks. I was quite happy when I got home and studied the shots of the display to find I had some good results. It would have been great to have been on the media boat but let’s not complain.