While waiting for a few vintage types to arrive at Paine Field for Skyfair the following day we got an interesting bonus. A Kodiak showed up on approach. Not only was it equipped with floats but it was also painted in a tiger stripe livery that was pretty striking. Not a type that might normally get too much attention but, fitted out like this, it certainly did.
ANA painted three jets in special schemes in association with Star Wars. They have an R2-D2 scheme on a 787-9 and a BB-8 scheme on a 777-300ER and I have shot both of them in the US. They have appeared on the blog here and here. The third jet was a C-3PO scheme that was on a jet that was used in the Asia regional flights so I did not anticipate seeing it. However, it showed up at Haneda while I was there. Consequently, I got to shoot it at last. Sadly, it departed off the other runway so I only got a distant backlit shot.
There was another 767 that also showed up with some Star Wars markings on it. It wasn’t a complex scheme like the first three but it was a Star Wars scheme. I guess I must have got all of them by now unless anyone knows of another one that is out there?
Biz jets often look samey but a cool livery gets a second look. This Gulfstream was at Boeing Field. I don’t think I need to explain why I shot it…
Qantas has decorated previous aircraft with liveries that encompass aborigine art. Their Wunala Dreaming aircraft was well known around the world and, in an age when airline liveries tend to be rather bland, these colorful jets are a welcome change. They have taken a similar route with one of their new Boeing 787-9s and I saw it at Paine Field during test flying. It came in from the south and executed a go around from relatively low level.
Then they caught me out by heading north to turn and make an approach from the opposite direction. This required some rather swift repositioning by me. In fact, I got to the parking lot as they were on final approach and, rather than park, I just pulled to the side, ran up the bank, grabbed the shot and then got back in the car to park properly. It was tight but it worked out okay.
Back when we lived in California, I saw the Star Wars 787 from All Nippon come in to San Jose. That is the topic of this blog post. There are a couple of other Star Wars planes that ANA painted up. One is a 767 and it tends to fly around Asia so I doubt I will get a chance to see it any time soon. The other was a 777-330ER painted up like BB-8. I few of my friends have seen it come in to Chicago but I had not seen it up close. They didn’t operate in to where I was. (I had shot it overflying me at high altitude once though.)
Then I caught a break. I didn’t realize this at the time but it was operating to Los Angeles the day I was shooting over the airport. I knew an ANA 777 was on its way in but I had not paid too much attention to which aircraft it was. As I was hanging over the airport, I picked the jet out of the murky skies as it came down the approach and, as it got closer, I realized which jet it was. I have to admit, I was rather surprised and a bit excited when I saw it.
Medford is not a busy airport for commercial traffic but it does have some regular services. Horizon seemed to be the most common operator (should I call them Alaska now?). Their Q400s were coming and going quite often. Horizon has been painting their aircraft in a large variety of schemes, many of which are associated with colleges around the region. (My friend David who works for them recently shared with me just how many there are so I might start trying to get them all.)
One of the planes is painted to represent Washington State University at Pullman WA. I have seen this one before a few times but this time it was taking off while I was driving around the airport to see what was there. It quickly climbed away past me but I got a better look at it than I had previously done.
Icelandair painted one of their 757s in a scheme that portrays the Aurora Borealis or Northern Lights. It is named Hekla Aurora. It was painted a long time ago but, since they didn’t operate anywhere I lived, I hadn’t got to see it. Then I had my first sighting when landing at SeaTac when it was parked across the ramp as we taxied in. I certainly didn’t get a shot of it. Moving to Seattle meant I would have a chance to see it in action but that was dependent on it operating here on a day when I could actually be there. Turns out my luck was in – and it was sunny! (In fact it had been a crummy day but I had a feeling it would clear up and, while it was raining as I drove down, the sun came out on cue. Hurrah!)
Alaska Airlines has a number of jets in special colors. My efforts to finally get the merger jet were covered in this post. One of the other jets that I never managed to catch in California was their Tribute to Service aircraft that is honoring veterans. My friend Roger caught it a number of times but I was always in the wrong place.
Alaska is, despite the name, headquartered in Seattle so their jets are regularly rotating through SeaTac. Shortly after arriving here, I saw that this jet was coming in and, since I was nearby, I decided to see if it could finally catch it. Sure enough, I got it. I would also like to point out the sun and blue skies in this shot for those of you that think I have moved to somewhere where it only rains. It’s true that it does rain but not as much as you think so far!
I have been pondering the way in which the method by which digital images are captured is affected by what is being photographed. As part of my workflow, I render 1:1 versions of the images and then quickly weed out the ones that are not sharp. This needs you to be able to see some detail in the shot that shows whether the sharpness is there. I have found that, if a Southwest Airlines 737 is in the new color scheme, something odd happens.
Digital image sensors actually capture one of three colors. Each pixel is sensitive to a certain color – either red, green or blue – courtesy of a filter. They colors are arranged on the sensor in a pattern called a Bayer pattern. The camera then carries out calculations based on what the pixels around each location see to calculate what the actual color should be for each location. This process is known as de-mosaicing. It can be a simple averaging but more complex calculations have been developed to avoid strange artifacts.
When I photograph the new Southwest scheme, something strange occurs around the N number on the rear fuselage. It looks very blotchy, even when every other part of the airframe looks sharp and clear. I am wondering whether the color of the airframe and the color of the registration digits are in some way confusing the de-mosaicing algorithm and resulting in some odd elements to the processed image that weren’t there in real life. If any of you have photographed this color scheme, can you see whether you had something similar and, if you did or didn’t, let me know what camera you were shooting with so we can see if it is manufacturer specific or not.
When American introduced their new colors, there was uproar. The criticism was plentiful. I seemed to be in a very small group of people that actually quite liked the look that they had gone for. Having been a regular customer over a number of years, I had grown tired of what I thought was a dated look. Over time I think people have calmed down about the change and now I don’t hear too much mention of it.
As more of the fleet gets repainted, I now notice more when I see a jet still in the old scheme (except MD-80s which obviously are not going to be repainted given their imminent demise). I have come across a few of the 737-800 jets recently in the metal finish. Here are some of them before they finally disappear for good.
