Category Archives: equipment

Cargolux Turns on to the Approach

The joy of the 200-800 lens is the ability to get some really distant shots of something when a spontaneous opportunity presents itself. I was in Seattle at the locks in Ballard when I saw the familiar shape of a 747 approaching. Since passenger 747s are few and far between these days, I figured it would be a freighter and, sure enough, the Cargolux colours were on this example. It came close overhead as it headed for the approach path to SEA.

It was well beyond our location when it started to turn south on the approach but, courtesy of the long reach of this lens, I was able to get a decent shot of it as the topside came into view during the turn. It was a bit of a gloomy winter day, so the conditions weren’t ideal. However, no big heat haze issues to reduce image quality too much – although you aren’t getting great clarity at that range. How nice it is to see a 747 these days.

Extreme Packaging for a Cap

When I bought my EOS R3s, they had a cap on the hot shoe to weatherproof it. I found the cap was very easily dislodged so I ended up putting some gaffer tape on them to hold them in place. When the R1 and R5 Mk II were released, a new cap was introduced which had a locking mechanism built in. I decided to get a couple of these since they would also fit the R3. They only cost a little over $20 but, when they arrived, I was amazed to see the large box and the high-quality bag that was included for something so simple. How much of the price for the cap was for the box and bag?

Taking Out Reflections – Photoshop Experimental Features

I have been using Lightroom since the initial version was released. It used to be quite a simple application and anything complex was undertaken in Photoshop. As Lightroom has got more and more capable, the number of times I go into Photoshop has reduced. What I didn’t realize until recently was that Adobe uses Photoshop as the proving ground for some of the features that will ultimately make their way into Lightroom. I thought that Camera Raw and Lightroom’s Develop module were identical and they almost are. However, not quite.

In Photoshop, they have a check box to allow you try experimental features. I found out about this related to a feature designed to remove reflections. Anyone who has taken a photo through a window will know that you can get reflections off the glass of things your side of the window and these can ruin an otherwise usable image. (Photographing through a window is not a great option but sometimes it is all you have to work with.)

This feature analyses the image to see what it thinks might be artifacts from inside the window and allows you to remove them. Interestingly, the slider that comes with it can be moved either way. You can fully remove the reflection or can fully remove the rest of the image and leave only the reflection. This can be rather fun to play around with.

I was interested in what this would do for some shots I had got while inside the airport at Narita a few years ago. It was a dark and rainy day and I did try to avoid reflections but was not always successful. Some of the shots I liked most from an action point of view were the ones with light from inside intruding into the shot. These were the ones I worked with. You can judge the results. As I have the before and after versions here. It isn’t perfect but it does work rather well for an experimental feature. I hope it gets productionised soon and finds its way into the Lightroom Develop module too.

Pano Experiment with a Fisheye

I will freely admit this is not my idea. It is something that I read about recently on an astrophotography post that caught my attention. I was about to make a visit to a museum where I thought I might end up taking some interior images in confined space. My 16-35mm lens was probably going to do the trick but I wondered whether the fisheye might be a better bet if things were really tight. My only concern with that is the distortion is such a feature of that lens that it might not be worthwhile.

Then I came across the aforementioned article and it talked about shooting panos with a fisheye. The article was concerned with wide sky shots for astrophotography, but I thought it might work for me too. Supposedly, stitching together multiple fisheye shots takes out a lot of the distortion while still giving you the wide reach. I decided to experiment with this in advance to see if it worked.

I played with this indoors but taking a sequence of shots with good overlap between them making sure to catch as wide an image as possible. I was using the fisheye with full frame coverage rather than the circular version of the image. In Lightroom, I had to turn off the profile correction since that plays with the shots a lot and then set the pano function to work. It combined the images very easily and, sure enough, the verticals across the shot were not all vertical and not distorted at all. This could be something I now use a lot in the future when working in confined spaces. I will need to test it for closer subjects first since I suspect that will be a lot more testing for the alignment issues in pano stitching.

Generative Remove in Lightroom

As with all software tools, Lightroom has been constantly evolving since the initial release. If I were to see the original version of the software, I would probably be shocked at how limited it was. I do come across old edits and, when I convert it to the latest develop presets I have created, it is shocking how much of a change can result. One area that has gone through various updates over time is the tools for healing or cloning. They have been okay but definitely had limitations – not least pulling in odd artifacts from other areas.

A recent addition to the tools has been Generative Remove. This is an AI driven method for selecting and removing elements of the image. I try to do any of this before any cropping because I have previously found cropping to confuse the healing tools by leaving stuff out of sight that it tries to reincorporate. I don’t know whether this matters for Generative Remove or not, but I have stuck with the same sequence just in case.

The selection process is really simple. Brush around an area and it will fill it in. You can refine the selection with brushes to add or remove areas. I have used it a lot to remove power lines where a click at one end and shift click at the other gives you a quick straight line. Then let it do its thing. It will provide three options for the solution, and you can decide if one of them works or make it try again. Generally, I have found the results to be very good and no obvious artifacts as a result of the healing. No doubt they will continue to refine the process, but I think it is a big step forward in cleaning up elements of images that you don’t want and is now something I will consider for images that I would otherwise have cast aside.

Blossoms in the Back Yard

By the time this hits the blog, it will be the best part of year since I took these shots. We have a variety of plants in the backyard at home and March was the time when blossoms started to make their appearance. Our plum tree had some blossoms, but the other plants also had some cute little flowers too. I dragged out the macro lens to get some images of them. Get up close with these and you can’t easily tell just how big (or small) they actually are.

Heavy Departures from SEA

I have had plenty of chances to shoot the departures from SEA when they are on a northerly flow and the afternoon light provides a good option for the jets.  Previously, I have used the 500mm since it gives good reach but, for the larger jets, as you get the jet abeam your position, it will be too large for 500mm.  The arrival of my 200-800 provided a great new option.  800mm provided a tighter view on the jets after rotation (provided the heat haze is not negating any focal length benefit) and the ability to zoom out means that you can keep the aircraft fully framed throughout the climb out.  I took the lens down when I first had an open afternoon and the right conditions and here are some of the results.  As fall moves towards winter and the heat haze and high sun become less of an issue, this combo should get even better.

Super Fast Frame Rate

One of the features that was added to the Canon EOS R3 via a firmware update was a ridiculously high frame rate mode.  The fastest frame rate in normal shooting is 30fps (which is clearly ridiculous itself for anyone that has been photographing for a long time).  The extra mode comes with limitations.  Once you start shooting, autofocus and exposure monitoring are suspended so you get a lot of shots with the same settings.  However, this does allow you to get 194fps!!!  Yes, that is not a typo.  It will only do this for a maximum of 50 frames but that is raw capture – not a jpeg.  You get to select how many frames are taken which I have to admit I didn’t realize until recently.  I was shooting with a limit of 10 frames for quite a while and wondering why.  I’ve fixed that now.

There are relatively few times when this mode is actually useful.  The viewfinder does black out when you use it so, if you are tracking something, a little bit of predictive guesswork is in order.  If you were shooting a baseball pitch being hit, this could be pretty handy.  I decided to use it on the Blue Angels pair crossing during Seafair to see how things work out.  The answer is pretty good.  I include a sequence of shots so you can see what even this frame rate gives you for two fast jets head on to each other.  A limited tool but one that could be utilized.  I have also been using it for very lower shutter speed experimentation but that will be another post.

This Stabilization is Amazing

Another episode in the testing of the RF 200-800 for today’s post.  This is more focused on the image stabilization in the lens.  When shooting stills, I have commented on the slightly odd jerking effects visible in the viewfinder.  I think this is most apparent when panning very slowly and I think the camera is trying to work out if you mean to stay still or not.  However, one area which is really effective at showing the capabilities of the stabilization is video.

I have some footage below that is taken with the lens at 800mm and hand held.  No tripod or monopod here.  The rabbit was at the other end of our back yard while the bees were on the lavender plants in our beds.  You can see that the image is remarkably stable.  It is amazing to see it lock on so well.  I have also shot some video of an F-35B in the hover, also at 800mm.  It was interesting to see a lot of movement in the viewfinder for a moment and then it seemed to lock in on what it was doing and then things get really solid.  This tech is most impressive.