This Belgian A109 was on the static display at Cosford’s show this year. I actually used it as a reference point when meeting up with a friend. There is something about the shade of green that they use that really makes it look cool. What I didn’t realise at the time is that its days are numbered. The Belgian Air Force has just taken delivery of its first H145M with a batch of these due to replace the A109s. I wonder if I will see one again or not?
A day out at Goodwood Festival of Speed was clearly done to see the cars on show. However, there might have been a chance for a little aviation to be thrown into the mix. On the Friday of the show, I was working from home and heard a sequence of helicopters head overhead. About four helicopters seemed to be running a shuttle from a country house hotel near us across to Goodwood. Seems like a pretty decent idea. It’s probably not much more than fifteen minutes and means a nice spot to stay combined with no traffic. Maybe I should have given it a go.
Elite Helicopters from Goodwood was running the service. For the rest of the day, they were doing pleasure flights around the venue. At one point in the day, I headed across to the field that they had set up for the helicopters and sat watching the steady flow. A combination of JetRangers, LongRangers and JetRangerXs were being used. There were a number of pads and ground crews were sequencing passengers on and off. A one-way system meant that the departing helicopters would go around a cluster of trees and out the back passing the inbound traffic. They were certainly keeping busy.
I would have quite liked to do a ride, but I decided this was not the day for it. The hillside around the event would make for a good view. I learned to fly at the nearby Goodwood aerodrome and know that the Trundle looks nice with the horse racing course being cool to see too. Combine that with so much stuff on the ground for the festival, it would be a good trip.
I would probably be camera happy in that environment but, watching the flights, it did occur to me that everyone did seem to be busy watching it through their phone rather than just looking at it. I would probably be tempted to do something similar. That is when something like the Insta360 can help because you don’t have to frame anything. It can all be done after the event allowing you to just enjoy the moment. I hope they all enjoyed their flights.
The final display of the Cosford air show was the Chinook demo. I have always enjoyed a Chinook display because it is a very agile helicopter despite its size and it can be thrown around which impresses. There is also the wheelie that it can do which has a unique feel to it. However, I wasn’t prepared for just how much I enjoyed the display.
There were a number of elements that made it so good. First, it was at the end of the show, and the light had come around to be more favourable for photos. This could have been even better because a bit of cloud cover rolled in. A little while after the display was over, this cleared and the warm light was so nice. It would have been great to have that on the helicopter during the display. Let’s not focus on the negative though, when there is so much positive.
They started the display carrying in a couple of underslung loads. Showing off the lifting performance of the helicopter is a great way of showing what this capability is all about. They had a howitzer and a truck on lifting lines using two of the three pickup points that the Chinook has. A bit of manoeuvring with that before dropping it off on the airfield. The gun crew then came out and set the gun up. They proceeded to fire off a few blank rounds.
Then it was back to throwing the helicopter around for a bit. A helicopter display always has an advantage in that it can keep things in front of the crowd, and some tight turns certainly achieved that.
However, I haven’t yet highlighted what really made the display great. The commentary was top notch. You might think that a military display narrator is going to run through a staid list of talking points but that was not the case here. Sure, they did highlight the capabilities of the helicopter and the helicopter force as a while but there was so much ridiculousness thrown in to keep you amused throughout.
Whether it was pointing out that one of the crew had both of his friends in attendance or describing the vertical climb and pointing out it has no operational benefit but it does look really cool, the lines kept coming. They were delivered in such a normal way, though, that you needed to pay attention to spot when the serious bits had been superseded by the more flippant lines. Top stuff and hats off to the team. Great flying, great performance and excellent writing!
The Royal Navy contribution to the RAF Cosford air show was a great combination. They brought a Leonardo Wildcat in partnership with a Fairey Swordfish. This is right up there with the odd combination that I have seen at air shows over the years. A rotary airframe and a fixed wing has happened before but often the fixed wing is really struggling to go slowly enough for the helicopter. In this case, the helicopter has the speed advantage on the Swordfish. It is not a speed demon.
They did a pairs takeoff which was really interesting and then commenced their display with a flypast in tribute to the lost crew from the Merlin crash that had occurred not long before the show. They then carried out a sequence of passes before splitting for individual performances. The Stringbag is a beast of an aircraft, even if it isn’t fast. I got some other shots of it that will probably show up at some point.
I will put together a post soon about the Chinook display at RAF Cosford. It was a great display. However, this post is not about that. Instead, it is about editing. Lightroom Classic recently had an update to the masking tools and the subject select process is now way better than it used to be. I used to spend a lot of time refining the selection to get something usable but now the process has become a fair bit quicker as a result of the starting point being more accurate. Not perfect, but better. Anyway, I include a version of the image almost out of camera and then the result when working on the airframe and sky in separate masks. It is a lot more how the thing looked at the time and a significant improvement in my mind.
Parked in the static at RAF Cosford’s air show was a Chinook. Nothing too special, you might be forgiven for thinking. However, this is a Chinook with some history. Known broadly as Bravo November, despite having worn many markings over the years, this aircraft was delivered to the RAF in 1980. In 1982, it was one of four that went south to the Falklands on Atlantic Conveyor. It was the first to have its blades fitted and flew off the ship shortly before it was hit by an Exocet. The other three Chinooks went down with the ship.
As the sole Chinook with the task force, her lifting capacity was in high demand. There were missions when she was seriously overloaded compared to what the release to service might have said. Some rapid leaps forward were possible by carrying way more troops than would have been the case in peacetime. There was also one flight when the crew got too low and hit a lake. As they skimmed across the surface, water sprayed up towards the engines which began to spool down. A chunk of collective pulled them up and, without the water hitting them, the engines were able to come back up to power. Amazingly no serious damage was done, and she served throughout the remainder of the conflict.
The Falkland’s conflict was 1982 and there were then decades of service in all sorts of operations – both peacetime and conflict. Finally, the airframe has come to the end of its life and now it is on the ground at Cosford. Plenty of visitors were checking out this historic helicopter. Towards the end of the day, the sun came around nicely and it looked great.
I am far too young to have seen the Bristol Belvedere in flight, despite what some might think! Given how old it is, it really does seem like quite a large helicopter to have been developed and operated. I bet it looked pretty cool when it was flying. Even now, when see in a museum, I think it is still quite a beast. The example at the RAF Museum in Hendon was there when I first visited in the late 80s and it is still on display. Getting shots of something this large in a relatively confined space is tricky but worthwhile. Do you think it looks as good as I do?
Having done the ride along with Alan Purwin of Helinet during the filming of Transformers, Alan was interested in getting some publicity shots of the helicopter to use for their own marketing material. He asked if I would be interested in doing the shots and I was more than up for it. What I wanted was to have a high enough vantage point from which to shoot. You want to be looking across or down on the helicopter to get some real context to the work.
Additionally, Alan wanted the helicopter to be mounted with a different camera mount. He owned a company in New Zealand called Shotover. This was the mount that he wanted on the helicopter for the shots instead of the larger ball mount that had been used during the Transformers filming. I discussed with him where to get an elevated location from which to shoot. He had been staying at the Trump Tower for all of the filming and had developed a good relationship with one of the managers there so got me access to use one of their outside deck areas. This proved to be an ideal spot.
We had a series of runs with the helicopter coming up the Chicago River towards me, pulling up in front of me, hovering close by and making diving runs from the River North area across in front of me to be over the Chicago River. I had a radio so I could call in the next sequence or have them run it again. The weather had become a lot nicer than it had been when I was riding along and so I was really happy with the results. So was Alan and they soon were on the marketing materials for Helinet. No doubt they now have new material, but it was used for a while. Sadly, Alan dies in a plane crash during the filming of a movie in Central America. He was a passenger in a plane that crashed on take-off. He was a super nice guy, and I am sure remains sadly missed.
In a previous post, I shared some images of the Helinet Squirrel that was used for aerial filming of the Transformers movie franchise in Chicago. When I had been in touch with Alan Purwin about some photos I had got of them in action, he invited me to come along during one of the filming sessions. They were operating from a location in the south of the city – an unusual circumstance because, in those days, Chicago did not normally allow helicopters to land in the city. However, we met up at Midway Airport before heading to the filming location.
Alan was flying whilst David Nowell, the cinematographer was in the left seat controlling the camera installation. They had worked together many times and had a very slick relationship in the air. A producer was next to me in the rear seats. We left Midway and headed into Chicago where we flew around the city a little before landing on the south side. The film crews have clearance to operate at low level and in between the buildings. It is quite a stunning place to be as you slide between the skyscrapers.
The challenge for the team was to visualise what the scene would be. We headed towards the Sears Tower over which an alien spaceship was supposed to be. We were filming the sequences over which the CGI would insert the various elements. These sequences had to be run several times, and each had to be exactly the same so the material could be combined seamlessly. Watching all of this happen whilst seeing the buildings all around you was something else.
I would love to have spent more time with them on the project. I was not part of the regular crew so I couldn’t outstay my invitation but to see all of this in practice when having seen plenty of it from the window of our apartment over the years was something else.
When we lived in Chicago, it was a regular thing to see filming underway for either movies or TV shows. One morning, as I walked to work, I was bemused by someone running alongside a bus banging on the side when clearly another would be along in a minute. Then I realised it wasn’t a CTA bus and there were cameras filming the whole thing. The bigger productions would often involve aerial camera work.
I actually did a number of pieces on this for GAR over time. There was a local operator that would do some filming work with a Twin Squirrel. However, some of the larger film productions had their preferred operators. Michael Bay would use Helinet out of California. This business was run by Alan Purwin, and we ended up spending some time together. During a previous Transformers filming session, I had got some photos of the cameraship and had shared them with him. The plan had been to meet up but an accident occurred on the set and the filming was curtailed.
When another Transformers move came to town, we did get in touch. I will have a few more posts to come that cover this time. For the first post, I am including some images of the helicopter in action filming various sequences around the city. The camera was mounted in a large, stabilised turret on the front of the fuselage while a ballast weight was mounted under the rear to keep the CG within limits. That turret would change later as will be seen in another post.
