I posted about some night photography I tried on jets approaching SeaTac. After finishing that up I was heading to the terminal to pick up my colleague and I decided to go for a shot of touchdown in the dark. This was not going to be an easy one to get since it is really pretty dark at the north end of the airport so little ambient light. I was relying on the lights of the jet and pushing the ISO to a really high level. It is true that the noise gets really tough in those conditions but when looking at the image at a normal size, it really is not a big deal. Besides, it is a shot we would never have done in pre-digital days.
Tag Archives: jet
Shooting From On The Field At SEA
Some of the best shots are taken when you have access to the airfield. Sadly, that is not a simple thing to arrange. However, if the flight you arrive on has to hold prior to crossing the runway, you have a better chance of getting some shots of aircraft departing off the runway you are waiting to cross. This does involve shooting through the windows of the aircraft which are not great at the best of times and on the recent Alaska flights I have taken, have been pretty crappy. Still, it was fun to try and get some shots, even with the limitations of my older M6.
Finnair Before Sunset
The light was getting low in the sky and I was needing to drop my rental car back at the lot to get my flight home but a Finnair A350 was on approach. I could see it was coming in to the south complex so the Proud Bird parking lot would be the spot for me. The nice evening light was going to work out well. I had shot a Finnair A350 once before when one came to SFO but this would be only my second encounter. No point in missing it. The sky was warming up nicely so it was hard to miss getting the shot.
Strangely The First AA A321neo Encounters
The launch of the 737 Max was heavily influenced by American Airlines agreeing to buy a bunch of A320neo family jets from Airbus. American had inherited a bunch of Airbus aircraft from the combination with USAirways but buying the neos really caused Boeing to take note. The order also included a bunch of the ceo versions of the jets and I have seen loads of them over the years. However, for some reason, I had never shot an American neo until I got to LAX.
Los Angeles seems to be a popular destination for American’s neo fleet. While I was there, I saw a load of them arriving and departing. The larger engines are quite conspicuous on the neo although the A321neo seems better proportioned for that size of engine so they are less obvious than the smaller jets. I think they do occasionally make it to Seattle but whether I shall catch one up here, I don’t know.
JetRed
Early morning at Washington National and I was waiting for my flight home after a work trip to DC. As I sat at the gate, a JetBlue aircraft was coming up from the south end of the field. It was painted in a red scheme representative of the fire department of NY. They have a few different special liveries on their jets but a bright red one is quite the opposite of their normal look. Sadly, the light was a bit dull but I wasn’t passing up the opportunity to get a shot, even if it was through the terminal windows.
SF Airlines 747 Freighter
Coming across a new airline for the first time is still a buzz for me. With so many airlines around the world and most of them never showing up at an airport convenient for me, there is always a good chance of something new when I visit somewhere I haven’t been for a while. LAX is a popular freight destination so getting new freighters there is a good chance. I was actually at SoFi stadium having a look around when a 747-400F made the approach just south of me.
I had the camera with me at that time so was able to turn around and get some shots. With the aircraft being south of me, it was a bit backlit but I bumped the exposure compensation up a bit to get good shadow detail so I could play with it in post. Later in the day, I was at Imperial Hill waiting for my flight home when it departed. Getting two cracks at a new airline was a pretty good deal. More importantly, the airline actually has a livery that is of interest – not a white jet with a few markings. I count this as a result!
How Dark Can This Thing Shoot
Every once in a while, I really test the high ISO capability of the cameras I have. The R3 got an early test when I was at Red Flag, I went out on two evenings to shoot some night departures and experimented with the ability of the camera to perform in those conditions. The high ISO capability of cameras has not moved on too much to be honest. The max ISO I used on my 1DXII was 51,200 and the R3 is still the same. It does appear to be a bit cleaner but they have possibly hit a bit of a limit. What I had not tried out before was an electronic viewfinder in such conditions.
The first night, I went out into the dunes to be ready for the B-1 departures. As it turned out, they didn’t launch that night. I did get some fighters coming out my way for a while before I concluded that this was a bust and I was heading back to the hotel. I tried shooting a few of the jets but I discovered the limitations of the camera pretty rapidly. When there is no light, the electronic viewfinder really struggles. The frame rate of the viewfinder drops like a stone and tracking a subject becomes pretty problematic. The frames per second drop too so the chances of a result are slim. With an optical viewfinder, this is not an issue but the chances of a good shot are also slim.
I returned to the hotel feeling pretty dispirited by this result. I wondered whether this was a real problem for adopting the R3. The following night, I went out again with the B-1s again being my main target. This time I had some tankers heading out before the B-1s launched. It was a very different evening. Sure, the lack of light still makes the chances of getting a good shot pretty low but the camera seemed to have no problem tracking the subjects and keeping the viewfinder frame rate up to a perfectly acceptable level. If I had only gone from the previous night, I would have concluded that it was unusable.
The embedded images in the RAW files looked pretty good but the Lightroom edits required a lot more work. DPP might be the answer or DxO PrimeRAW could do a good job. However, that is not the issue. Will the camera allow me to shoot at night with very dark subjects. Apparently, the answer is yes. It can handle it. However, it can’t track an almost black subject with a couple of navigation lights like an optical viewfinder can. That is a limitation that I may have to live with.
Team USA Delta A330
Delta was the official airline of the US Olympic team during the Winter Olympics in China. They painted one of their A330s with Team USA colors. I knew it had been in and out of Seattle a few times but I had either not had a chance to go and see it or it was in crummy conditions. Finally it was due in early one weekend morning so I headed down to SeaTac to catch it. The forecast was not great but I had a feeling that the early sun might hang around and, for once, I wasn’t wrong. The light was generous and the plane came in on the right runway to get a good shot.
Not Only a G-III But A Cool One
If I see a GIV these days, it barely gets any attention from me. Sure, I’ll take a shot, but I am not getting excited. Go back a generation, though, to the G-III and suddenly I am definitely paying attention. One came to BFI recently and, while I was at the wrong end for an arrival airborne shot, I did see in the distance on final (no heat haze thankfully) and then as it rolled out and headed to the ramp at Modern. It was also in a nice dark paint job and it looked pretty cool.
It didn’t hang around too long. I watched it taxi across the field and up to the departure end. Then it was time for the long lens. The old Spey engines don’t have as much grunt as the later Tays so I anticipated a longer takeoff run and was not disappointed. I then watched it climb out with the Speys belching smoke. The engines are hushkitted but are still noisy beasts. As it climbed away, I got a clear view through the hush kits including the lobes of the exhaust diffusers. What a fun thing to see.
Korean Air BBJ Is Back
Korean Air’s fleet of bizjets come through Seattle quite frequently. Their BBJs are not uncommon. They use the airfield as the departure point for the trans-Pacific route to Korea. Unfortunately, they often arrive in the middle of the night and head straight back out again. I timed it well when they were making a daytime stop. I got the arrival and the departure this time.
Conditions were not great but, last time I shot one of their BBJs, the high sun made the livery glare a bit. Flat lighting avoided that this time. The departure was a good one for me. The route across the Pacific is a long one so the plane was pretty heavy. This meant it rotated a long way down the runway and closer to me and was still only just climbing when it was level with me. I went with a long lens which meant things got large quickly. It did give me some shots I was pretty happy with, though.













