In an earlier post, I had shared some images of and A340-600 operated by European Cargo that I saw at Bournemouth. What I didn’t include in that post was any images close to the rotation point, despite me having been well positioned for that. When I say well positioned, I omit one key element which is that there was a fence between me and the plane, and I wasn’t able to photograph above the fence. Shooting through it was the only option.
I tried a couple of things to mitigate the issue with the fence. First, I was as close to it as possible to take the fence wires as far out of focus as possible. I was also shooting wide open – again to try and throw the wires out of focus. The last thing I tried was to go with a low shutter speed to smear the wires as I panned. With this combination, I was hopeful that I wouldn’t really have the wires in the shots. I was wrong.
When I took a look at the shots, the fence was very obvious. I did start to wonder whether it would have been better to have the wires well defined as maybe that would be easier to remove. However, too late for that as the shots were done. Now to see if there was anything I could do to recover them to something usable (and by usable, I mean that might be shareable but nothing that was going to be a great publishable image).
I tried some of the healing tools in Lightroom to see if that would work. I was getting nowhere fast – possibly a sign of how little I understand the capabilities of the tools or maybe they are just not the right thing. Then I decided to try something else. Because of the way I had shot the image, none of the airframe was obscured. There was just the grey overlay from the fence. That made me think that it was more like a darker area of the shot. I decided to use the brush tool in the masking panel and draw some lines that were heavily feathered across the lines that the fence wire created. Having made a grid of these, I then bumped up the exposure for the mask.
The result was surprisingly effective. However, I then ended up with some overly bright areas at the edge of the mask. A rework of the mask to change the size and the feather amount and this time the result was pretty good. There were a few areas that were still a touch dark and I used a large, soft brush to address those parts. If you know what the original image looked like, you will probably spot the remnants of the work. If you had never known before, it’s possible that you might not notice how much work had been done on this.
In a previous post, I had shared some images of Alpine Helicopters from when we were in Kelowna. Our trip to Canmore in Alberta brought me close to another base for the company (assuming it is the same company rather than just a common name for operators). This base was providing pleasure flights for visitors heading up in to the mountains. The base was about a mile down the road from where we were staying so, one afternoon, after we had finished our plans for the day, I popped down to see if anything was moving.
The location is not ideal for photography. The base is on the side of a hill and the parking lot is quite a way below the area from which they operate. There is a viewing area for those that are waiting to go flying but I was outside the fence so had to see what shots I could get. There was a movement of a helicopter from a parking space to the pick up zone and then there was the departure of a flight. Things were not great for getting shots but they did curve around on takeoff giving me some views of the climb out. I needed to head back so I didn’t wait for the return.
