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Set Up Publicity Photos for Helinet

Having done the ride along with Alan Purwin of Helinet during the filming of Transformers, Alan was interested in getting some publicity shots of the helicopter to use for their own marketing material. He asked if I would be interested in doing the shots and I was more than up for it. What I wanted was to have a high enough vantage point from which to shoot. You want to be looking across or down on the helicopter to get some real context to the work.

Additionally, Alan wanted the helicopter to be mounted with a different camera mount. He owned a company in New Zealand called Shotover. This was the mount that he wanted on the helicopter for the shots instead of the larger ball mount that had been used during the Transformers filming. I discussed with him where to get an elevated location from which to shoot. He had been staying at the Trump Tower for all of the filming and had developed a good relationship with one of the managers there so got me access to use one of their outside deck areas. This proved to be an ideal spot.

We had a series of runs with the helicopter coming up the Chicago River towards me, pulling up in front of me, hovering close by and making diving runs from the River North area across in front of me to be over the Chicago River. I had a radio so I could call in the next sequence or have them run it again. The weather had become a lot nicer than it had been when I was riding along and so I was really happy with the results. So was Alan and they soon were on the marketing materials for Helinet. No doubt they now have new material, but it was used for a while. Sadly, Alan dies in a plane crash during the filming of a movie in Central America. He was a passenger in a plane that crashed on take-off. He was a super nice guy, and I am sure remains sadly missed.

A Trip Over Chicago in the Cameraship

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In a previous post, I shared some images of the Helinet Squirrel that was used for aerial filming of the Transformers movie franchise in Chicago. When I had been in touch with Alan Purwin about some photos I had got of them in action, he invited me to come along during one of the filming sessions. They were operating from a location in the south of the city – an unusual circumstance because, in those days, Chicago did not normally allow helicopters to land in the city. However, we met up at Midway Airport before heading to the filming location.

Alan was flying whilst David Nowell, the cinematographer was in the left seat controlling the camera installation. They had worked together many times and had a very slick relationship in the air. A producer was next to me in the rear seats. We left Midway and headed into Chicago where we flew around the city a little before landing on the south side. The film crews have clearance to operate at low level and in between the buildings. It is quite a stunning place to be as you slide between the skyscrapers.

The challenge for the team was to visualise what the scene would be. We headed towards the Sears Tower over which an alien spaceship was supposed to be. We were filming the sequences over which the CGI would insert the various elements. These sequences had to be run several times, and each had to be exactly the same so the material could be combined seamlessly. Watching all of this happen whilst seeing the buildings all around you was something else.

I would love to have spent more time with them on the project. I was not part of the regular crew so I couldn’t outstay my invitation but to see all of this in practice when having seen plenty of it from the window of our apartment over the years was something else.

Filming With a Squirrel

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When we lived in Chicago, it was a regular thing to see filming underway for either movies or TV shows. One morning, as I walked to work, I was bemused by someone running alongside a bus banging on the side when clearly another would be along in a minute. Then I realised it wasn’t a CTA bus and there were cameras filming the whole thing. The bigger productions would often involve aerial camera work.

I actually did a number of pieces on this for GAR over time. There was a local operator that would do some filming work with a Twin Squirrel. However, some of the larger film productions had their preferred operators. Michael Bay would use Helinet out of California. This business was run by Alan Purwin, and we ended up spending some time together. During a previous Transformers filming session, I had got some photos of the cameraship and had shared them with him. The plan had been to meet up but an accident occurred on the set and the filming was curtailed.

When another Transformers move came to town, we did get in touch. I will have a few more posts to come that cover this time. For the first post, I am including some images of the helicopter in action filming various sequences around the city. The camera was mounted in a large, stabilised turret on the front of the fuselage while a ballast weight was mounted under the rear to keep the CG within limits. That turret would change later as will be seen in another post.

Helos at the End of the Day at Gateway

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During the visit Mark and I made to Mesa Gateway Airport, we got a couple of rotary visitors to the field as the day was winding down. The first to show up was a Bell 412. The Huey is a very different beast when it is equipped with the modern rotor and this one also sported a nice paint scheme. It looked pretty slick. A bunch of guys were dropped off and then the 412 was back on its way. No idea what they were doing and probably shouldn’t know either.

A short while later, it was an Astar that came in. Maybe not as impressive a livery (although it did look nice) but the evening light was getting better and better, so it did make for a nice image. Looking through the images, one of the passengers seems to be super excited. If I was running around in an Astar all the time, I guess I would be pretty pleased too. A nice way to wrap up a fun day.

A Cold And Damp Amazon Delivery Job

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The forecast for the day of the Amazon lift was not ideal. It was going to be cold and rainy. Just what you want for photographing something and even better when the helicopter you are most interested in is grey! Oh well, what can you do? Things were scheduled to kick off at 7am so I headed up to Arlington early to be ready.

Naturally, like many things aviation related, it didn’t start on time. I suspect there were other things that they had as part of the plan, but we weren’t privy to that so were just waiting for a helicopter to lift off. It was not very cold, but it was definitely cold enough and damp. I should have dressed warmer and trying to get shots at a low shutter speed when you are shivering is not ideal.

One advantage of a crummy weather day is that you can roll the shutter speed right down and not have silly apertures. That means less need for dust spotting later! On the 100-400, I would have just used a polarizer, but I don’t have one for the 500 so was okay with shooting that at the speeds I wanted to try for.

The Astar was the first to lift. The initial lifts were very slow, but things improved a little as the crews on the roof got into the groove. The Astar was obviously doing the smaller lifts, but it still has significant capabilities and was taking up some big pieces of equipment. Watching it bucking around in the turbulence over the roof as the wind picked up was quite eye opening. I got stills but, since the conditions were not great, I instead went with a bunch of videos. The stills just won’t be that exciting, but video gives you more context.

It was quite a while before the S-61 started up. We had a few false starts when the Astar appeared to land but it was just swapping out lifting lines. Finally, the S-61 got airborne and it started lifting the heavier loads. We had heard that about 50 lifts were planned for the S-61 and 30 for the Astar. After getting some shots and footage, I headed to a few different locations to see whether they had a better angle on things. You never know which bit of the roof will be the site of the next load so a location might be good for a bit and then too far away and obscured. More importantly, I was getting pretty bloody cold. If conditions had been nicer, I would probably have been inclined to hang around a lot longer, but I just couldn’t be bothered. I figured I had enough, and it was time to head home and get warm. I think they extended the NOTAM so things must have taken longer than intended but I was long gone by the time that they finished.

Transition From KAWO to Amazon

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I am not sure of the reasons why, but Croman moved both of the helicopters used for the Amazon lift over to the site the day before the operation. They were a short distance from Arlington but apparently there was a reason to not start from the airport. Fortunately, they did this late in the afternoon after the Astar had arrived. I had moved across to a parking lot near the site ahead of time hoping to be in a good spot to get them arriving and also to see whether it would be good for the lift itself.

Both helicopters approached my side of Amazon prior to landing. This meant I got a good head on view of them and a reasonable view as they approached landing. They did, unfortunately, go directly over my head which limited the shots a little but still wasn’t too bad. The sun was more on their tails as they made their final approach which wasn’t ideal, but it was the side I was on so could have been worse. They landed behind some concrete walls so disappeared from view as they went in. The S-61 was first followed by the Astar. Now to see how the lift itself went.

Squirrel’s Nibbling Won’t Be Disturbed By Us

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Walking through the woods at Meerkerk Gardens, we came across a tree that had fallen across the trail. Sitting on the log was a squirrel. This squirrel was happily munching on its food. We weren’t going to continue down the trail so were not likely to get in the squirrel’s way but we figured our very arrival would spook it. We were wrong. While it was clearly aware we were there, it did not seem to see any need to interrupt lunch just because of us.

Astar Over My Head

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These shots are from a few years ago. I had the privilege to spend a day with the late Alan Purwin during the filming for one of the Transformers movies in Chicago. I got to fly with them on some of the shoot but I also was on the ground when they went off on part of the filming. I put myself directly ahead of the Astar when they took off and Alan buzzed me. I noticed when going through the images that the cameraman was tracking me with the stabilized mount on the nose as they flew over the top.

Davis Arboretum

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We took a day trip up to Davis to check out the arboretum. Running alongside the old Putah Creek, it has a range of different plants and trees along its length. With the university buildings stretching alongside the creek, the paths provide access to the students and staff of the university as they get where they need to be. Being, at least most of the time, away from the roads makes for a quiet and pleasant place to stroll. At the time we visited, it was a turning point for some of the plants. Fall had already done it work on some trees while others were still showing signs of color.

We weren’t the only ones appreciating the view. We passed a number of painters (whether they were part of a class or just like minded individuals I don’t know) who were capturing the scenes around them. I didn’t get to see whether any of them were particularly good but I hope they had a good time anyway. There was plenty of wildlife along the creek. Ducks were abundant, the occasional turtle showed itself, squirrels were everywhere gathering food for winter and some of the visitors had their dogs with them so no shortage of life.

Work was underway to reconfigure the flow of water through the creek. This is intended to freshen up the water, deal with some of the weed growth on the surface and promote some other wildlife activity. In some areas it was already showing results but the work was due to run into 2017 so it will be a while before the full effect is seen.

Helos This Way Please

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I love helicopters and getting to see two in close quarters at Salinas recently was the sort of thing to make me smile. An Astar had come up to drop someone off and was heading back out again. Meanwhile, a local Robinson R-44 had been moved out on to the ramp next to it for its pilot to have a local flight. They ended up starting up and departing at almost the same time. What I hadn’t realized was that the departure path for both of them was going to take them right past me.

I had figured that they would start up and then hover taxi to the runway before departing in the runway heading. Instead, the approved profile made use of the taxiway next to where I was. The result was that they both pulled to the hover and then turned in my direction before accelerating right by. That was a lot better than I was expecting. The need to gain speed before climbing to minimize time in the “avoid curve” means that you get a nice low view of a helicopter when it takes off. This is far better than the fixed wing alternative in my view.