Tag Archives: approach

Pairs at SFO

C59F3434.jpgThe layout of SFO with the two pairs of cross runways makes for some operations that are quite specific to this airport. At peak times, parallel approaches are made to the 28 runways from along the bay shore. These approaches require the following plane to make sure it does not overtake the leading plane. I don’t know for sure but I imagine the choice of which side leads is based on the wind direction so the wake turbulence doesn’t affect the downwind plane.

C59F5718.jpgGetting them close together is the goal as a photographer. Often they end up being separated by a lot more than you thought. When further out things look like they are close but then the approach turns out to be more offset than you expect and you don’t get a good shot when they come in to land.

C59F2343.jpgArrivals aren’t the only parallels though. The departures are sent of the 01s from both sides. The clearances are usually offset and the thresholds are slightly different so the planes often get airborne well apart. However, that is not always the case and sometimes you get what amounts to a formation takeoff. Once airborne, the planes turn to increase their separation. Getting a shot of them close together is something to try for if you can. They are too far away when they take off to be a great shot individually but getting both in frame certainly makes for a more unusual shot than is the case for most departure procedures for big airliners.

Changing My Approach to Panoramas

Ever since Adobe got their act together with the Photomerge function in Photoshop, it has been my default for creating panoramas.  Previous versions were a little unreliable but they cracked it a few versions back and I have not changed my approach since.  However, a recent bit of YouTube exploring has changed that again.  Russell Brown had a series of videos on making panoramas from aerial shots and, while I was watching them because they were aerials, the stuff he came up with on stitching panos was actually more useful to me.

Instead of using Photomerge, he uses the same functionality of Photoshop but in individual steps.  The technique involves opening all of the shots as layers in a single file (something you can do straight from Lightroom which maintains the re-import linkage that I like about Photomerge).  Then you select all layers and use Edit>Auto Align Layers.  This gives you the same options as Photomerge.  Apparently, according to Russell, if you have a series of shots where you have rotated position but are looking horizontally, Spherical works best.  If you are looking up or down, use Circular.

The result can be quite distorted if you use Circular but it will all get better soon.  If you aren’t happy, you can undo the step which is a lot easier than starting from scratch which is what you would have to do in Photomerge.  Once the alignment is done, Edit>Auto Blend Layers while take care of the rest of the stitching and blend everything together nicely.  It defaults to a Panorama blending option.

With the blend done, flatten the layers and open Filters>Adaptive Wide Angle.  This will default to a panorama setting and, if you have the distorted output from the Circular settings, now you will suddenly see everything come back to what it should be.  You can tweak this filter to get verticals and horizontals aligned as you wish and then you end up with a good pano output.  Some cropping and filling of blank areas with Content-Aware fill and the job is done.  I shall be taking this approach for all my panos from now on.  If you don’t use this approach already, you might want to give it a try.

Also, you can go to the original source on this and check out Russell’s videos on YouTube.