Category Archives: civil

The Negus 747-400

We were in the Cotswolds for a wedding earlier this year and the morning of the wedding found my with little to do while everyone was getting ready. I was only 30 minutes or so from the old RAF airfield of Kemble, now Cotswolds Airport. Surely it would be churlish to not take a look since I was killing time? Kemble has quite a lot of interest and will mean there are several posts to come. The first will focus on one of the largest residents.

British Airways painted three of its 747s in retro liveries. The jets had different interior configurations which meant they were used on specific routes. I got to shoot the BOAC jet and the Landor jet when they came to Seattle but I never saw the Negus jet. When BA retired the 747 fleet during the pandemic, the Negus jet apparently made its way to Kemble to become a venue rather than get reduced to parts and scrap metal. However, I didn’t know this.

Consequently, I was rather surprised to find the jet sitting there as I drove up to the airport main buildings. There are other 747s stored on the field at Kemble but this one is very accessible. It was early in the day when I arrived so I could wander around unfettered but there were already crews showing up to bring in fixtures for an event that they were going to be hosting. Renting out a 747 for an event sound like just the sort of thing I would do! I was very pleasantly surprised to see the third of the retro jets and to see it in such good condition. (Sure, they have a few nacelle panels that have been switched around but it still seems in good shape.)

Four Seasons Traveling in Style

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A few years ago, I was doing a photo flight over LAX and, on the south side of the airfield at one of the FBOs, a black 757 was parked with marking of the Four Seasons hotel group. This jet was used for some pretty high end tour operations. Not the sort of thing I am likely to be on! The 757 was aging and, in discussion with some friends online, I heard that they had switched to an Airbus A321neo. Lo and behold, a few days later, it came to Seattle.

I wasn’t able to get it arriving (although it came back again another time and I did then) but the departure was on a day that I was free. The jet is in a similar livery to the 757 looking black from a distance. I am not sure whether it is actually black or a deep purple color but, when the sun glints off it, there is a colorful tinge to it. Departures were to the north so it crossed the runway to taxi by me and then turned for the take off roll. They were heading to Hawaii so I imagine the guests were looking forward to some fun in the islands. The aircraft is actually operated by Titan out of the UK. I wonder whether the crews like this gig or whether it is a bit of a drag?

An EMB-135 Can Look Good

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One Saturday afternoon, I was out shooting some planes approaching SEA with my buddy David. We were thinking of calling it a day but I was curious about an EMB-135 that was due in to Boeing Field. The weather was looking like it would get worse and these regional jets are hardly exciting. However, a quick search online showed some older shots of it painted white but a more recent shot of it painted gloss black. I wondered whether this was still how it looked. I told David I would give it a go as we parted.

As I waited for the jet to arrive, I really hoped it was painted black. Waiting a while in gradually degrading weather for a regional jet seemed like it might be a poor use of a Saturday afternoon. When it came in to view, I was very relieved. It was, indeed, gloss black with a hint of color on the tail. The fact that the cloud had come in actually made it easier to get a good exposure on the black finish. Once I got home, I checked out its ownership a little further and, while it was listed to a company matching the Aero on the fuselage, I think it is used by ConocoPhillips. Maybe, if you are an oil company, you paint your planes to look like crude oil?

Experimenting with PureRAW3

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This blog includes a very infrequent series of posts reviewing the processing powers of PureRAW. The third version of this raw image processor has just been released and I downloaded the trial to see how it performs. I was impressed by what the previous version did to clean up some high ISO shots but the need was limited and the price was high enough that I didn’t see the point in signing up for it. I was curious as to whether the third version would change my mind.

When I download one of these trials, I always try to avoid installing it until I have time to play with it. The trial last 30 days so I want to make sure I make good use of the time. Once I got around to installing it, I put it to work. I was disappointed to find the trial was limited to 20 images at a time which is a little restrictive but, for the purposes of evaluating it, I could work around this. I had two things I wanted to do. First, I wanted to convert some shots that I had previously tried for PureRAW2 to see how different they were. Second, I had some recent night shots which I also wanted to try.

So, how did it perform? Results were mixed. I found the conversion process was quick sometimes and would slow down or stop on others. This was annoying but I suspect is something that they will fix before too long so I wasn’t that worried. What I was surprised about was that, when starting the process in Lightroom, the new DNGs will be reimported into Lightroom. However, this was unbelievably slow. I would set it off, the conversion would finish and then, a long time later, they would suddenly get added. Again, something that is probably going to get fixed but bloody annoying in the mean time.

As for the output, I was quite amazed by the results. I will show here some of the Lightroom edits along with PureRAW2 and PureRAW3 versions of the files. As you can see, the latest version really does clean up images a lot. However, I don’t think it is all good. Some of the shots feel like they have been over sharpened and look too crunchy. Also, the algorithm seems to get imaginative when it comes to lettering on airframes. Some of the results have created shapes that just are not there in the original shot. For some shots, this might not be an issue but, when something is supposed to be recognizable, the odd artifacts show up conspicuously. If the shot had been soft and noisy, you wouldn’t have worried but, because it is supposed to be clear and sharp, the weird results stand out.

Is it worth it? Not for me. I used it on some more normal exposures and couldn’t really see much benefit. Certainly not enough to make the effort worth it. For high noise, it does provide some nice results and some odd side effects but, I don’t shoot enough of them to make that really worthwhile. For now, it shall sit in the interesting but not interesting enough category. Maybe we shall have the fourth installment of this series when PureRAW4 comes out!

Farewell Salmon Thirty Salmon

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At the time of writing, the end is nigh for the second of Alaska Airlines’ Salmon Thirty Salmon paint jobs. These are a result of a sponsorship program with Alaskan fisheries and, from what I have heard, this deal has come to an end and the jet is due for a repaint. I came across the first of the Salmon Thirty Salmon jets many years ago at LAX. The original jet was a 737-400 and I shot it on Sepulveda Boulevard resulting in a shot I was rather surprised and happy with.

The -400s have gone from the Alaska fleet and the livery was added to a 737-800. I have seen it a few times over the years but never in good conditions or too close so, once I heard it was heading for repaint soon, I decided to try and get some parting shots. These shots required a combination of decent conditions, the right time of day, not being at work etc. I was lucky that the jet was departing SEA early one Saturday morning so I would get it with low early sun as it climbed out. That worked out pretty well.

The second shot I wanted was inspired by my original shot. I wanted to get a low shot from underneath. Fortunately, I got an evening when the jet was due in and would be approaching from the north which gave me a good location to get the shot. Mission accomplished so, now when the jet gets painted, I will be fine. If they paint a Max9 in the livery, that would be cool but no sign of that so far.

Penultimate Boeing 747

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By the time this post goes live, the last production 747 will have been delivered long ago and will be in service. As the countdown to the last jet was underway, the interest in the remaining jets off the line went up significantly. The penultimate jet to be built was also for Atlas Air and was branded for their contract supporting Kuehne + Nagel. I saw a few shots of it appear online as people got it arriving in some gorgeous lighting. Sadly, I couldn’t be there for that but I did manage to get it arriving from a test flight one afternoon. The light wasn’t fantastic, but it was okay. After this one, there was only one more to go.

Delta/LATAM Comes in After Dark

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Delta picked up a few ex-LATAM Airbus A350-900s as part of that airlines restructuring during the downturn in the airline business caused by the pandemic. They went initially in to storage and then have been progressively moved to Singapore for updating to the Delta configuration. Seattle has been the location for them to come through on their way to Asia. I have missed a few but one was due to come through when I could see it. Sadly, it departed a little late from Victorville and was showing due in after dark.

Since it was an unusual movement, I figured it was still worth the effort. I would use the 500mm since it has a wider aperture and test the low light capabilities of the camera to the full. It still meant some very low shutter speeds but I let the tech compensate for my low skill levels. I was pleasantly surprised by how well some of them came out given the lack of light. Since this shoot, I did also reprocess with PureRAW3 and this improved the quality of the shot further.

Shooting at SEA After Sunset

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One of the things that photographers that have only used digital cameras can’t appreciate is ability to shoot in low light conditions. When I was shooting film, you were already struggling with image quality with ISO 400 film. Early digital cameras got very noisy as the ISO got ramped up but, these days, the capabilities of shooting in very low light are truly amazing for those of us that are old enough to remember what it was like. ISO1000 black and white film was adventurous!

Now I feel quite comfortable trying all sorts of silly things. I had gone down to SEA one evening to try and get a departure that was possibly going out just before sunset. Sadly, it didn’t play ball and the sun was gone by the time it headed out. However, I was there and the camera can do silly ISO numbers so why not. It still needs to drop the shutter speed down quite low but, with a fast burst rate, the chances of getting a reasonable shot are not bad.

I figured I would play around with shooting departure shots as the last of the light was fading away. It was more about trying something different rather than aiming for the perfect shot. I did have some interesting planes to play with but also plenty of Alaska 737s. The light was pretty dim and ISO51200 is quite something to work with but the image quality is really very impressive considering what conditions you are shooting in.

United 787-10 Arrival at Paine Field

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The 787-10 has a center section that is too long to fit in the Dreamlifter. This means that they can only be assembled at the North Charleston plant. The conspiracy theorists amongst us may think this was a deliberate part of the plan to focus production there and close the Everett line but, whether that is true or not, Everett is now only addressing issues with airframes already built and is not building any new 787s. However, some continue to come here from the east coast for rectification work prior to delivery. That means we get some 787-10s showing up and one of them was for United. I hadn’t planned on it but was there for something else and got this as a bonus.

How Many 747 Operators Have I Shot?

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The delivery of the last production 747 got me digging out a lot of older shots of operators long gone or unusual ones that I had come across. This then triggered me looking through my collection of 747 shots to see just how many operators I had got images of. There are others I have seen but didn’t photograph in my younger days like Continental but, once I added them all up, I was surprised to see that, including some government jets and some testbeds and counting freight operations separately from passenger for some airlines, I have over 70 operators that I have shot over the years. I was rather surprised about that.

I am not going to include a shot of all of them. That would make for a very long post and I doubt too many people would get to the bottom. Instead, I shall just provide a selection of some of the more unusual ones. The full list is as follows:

British Airways, Air Canada, Cathay Pacific, Virgin Atlantic, JAL, Asiana Cargo, Air Atlanta, Lufthansa, United, Pan Am, JAL Cargo, South African Airways, Qantas, Korean Air, Singapore Airlines, Singapore Airlines Cargo, Polar Air Cargo, Air New Zealand, KLM, EVA Air, Kalitta Air, Tradewinds, NCA, PIA, Thai, Saudia, Air France, Northwest, Air China, Air China Cargo, UPS, China Airlines Cargo, Southern Air, Korean Air Cargo, Cargo 360, Northwest Cargo, Focus Air, Malaysia, Air Pacific Fiji, Air India, China Cargo, NASA, Delta, Southern Air, Great Wall Airlines, Yangtze River Express, Atlas Air, Evergreen, Asiana, Cargolux, British Airways World Cargo, China Southern Cargo, Rolls Royce, Centurion Cargo, State of Kuwait, Japan, TWA, Global Supertanker, Sands, Qatar Amiri Flight, Boeing, Qatar Cargo, UAE, Wamos, Virgin Orbit, SF Airlines, Cargo Logic Air, Cathay Pacific Cargo, Pratt and Whitney, Western Global